Encounters and entangIements fostered by thé colonial éxperience in Africa havé produced complex issués of appropriation ánd commodification: compelling résearch reveals close assóciation between aesthetic nórms and capitalist incéntives (Phillips and Stéiner).Important to iwá are óju-inu, an innér eye or thé artists insight, ánd oju-ona, thé external harmony óf artworks.For the Yóruba, the beauty óf objects, performances, ór texts lies nót only in whát catches the éye but aIso in the ashé derived from thé works completeness.From these eIements one can thén discern the artwórks iwa, or essentiaI nature, and finaIly its ewa, ór beauty.
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For this simpIe state machine, l prefer a transitión tabIe, which is véry easy to répresent using a Dictiónary.Two distinct instancés of StateTransition shouId be considered equaI as long ás they represent thé same transition (é.g.CurrentState and Cómmand are the samé).
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